sábado, 30 de junio de 2012

Universo paralelo

O fotógrafo italiano Gustavo Willeit faz imagens de belíssimas vilas, típicas de seu país, praias, pequenas ilhas e rochas criadas com simetria através de manipulação digital.
Com a série chamada Perspe, Willeit cria o que ele chama de "universo paralelo", mostrando um ambiente que parece real, mas, na verdade, foi inventado.
O observador consegue reconhecer a origem natural da foto. Mas o observador sempre ficará em dúvida sobre a veracidade do que é mostrado pelo fotógrafo.
Willeit criou a série Perspe a partir de um efeito simples, que dá a impressão de uma imagem reproduzida quase à perfeição em frente a um espelho.
No entanto, a simetria não é totalmente perfeita, já que alguns objetos e pessoas da imagem ficam de fora do "efeito espelho".
E estes são alguns dos elementos mais intrigantes nas imagens criadas por Willeit. Em uma das imagens um ônibus percorre algo que parece ser uma rotatória, penínsulas idênticas cercam vilas típicas italianas, com casas coloridas, pessoas caminham por praias espelhadas ou caminhos que parecem se estender em um círculo.
Ao descrever seu trabalho, Willeit afirma que o elemento humano, frequente nas imagens, nunca é colocado de forma aleatória, "mas tem a tarefa de dar ao observador um elemento para se reconhecer (na imagem), criando um equilíbrio entre a verdade e a falsidade".
Para o fotógrafo, o tema do espelho "sempre fascinou o homem, e as fotos da série Perspe são muito sugestivas, possuem um senso de mistério, existindo em algum lugar na fronteira entre a ilusão e a realidade". 


 O fotógrafo italiano Gustav Willeit faz imagens de vilas típicas de seu país, praias, pequenas ilhas, rochas criadas com simetria através de manipulação digital.


Com a série chamada 'Perspe', Willeit cria o que ele chama de 'universo paralelo', mostrando um ambiente que parece real, mas na verdade foi inventado.


 O observador consegue reconhecer a origem natural da foto. No entanto, sempre ficará em dúvida sobre a veracidade do que é mostrado pelo fotógrafo.


Willeit criou a série 'Perspe' a partir de um efeito simples, que dá a impressão de uma imagem reproduzida quase à perfeição em frente a um espelho.


Mas a simetria não é totalmente perfeita, já que alguns objetos e pessoas da imagem ficam de fora do 'efeito espelho'.


Em uma das imagens um ônibus percorre algo que parece ser uma rotatória, penínsulas idênticas cercam vilas típicas italianas, com casas coloridas.


Em outras paisagens criadas pelo fotógrafo, pessoas caminham por praias espelhadas ou caminhos que parecem se estender em um círculo.


 Ao descrever seu trabalho, Willeit afirma que o elemento humano, frequente nas imagens, nunca é colocado de forma aleatória.


Segundo Willeite, estas figuras 'têm a tarefa de dar ao observador um elemento para se reconhecer (na imagem), criando um equilíbrio entre a verdade e a falsidade'.


As imagens de Willeit mostram desde paisagens cobertas de neve e as montanhas da Europa até edifícios no Oriente Médio, passando por pequenos vilarejos.


Para o fotógrafo, o tema do espelho 'sempre fascinou o homem' e as imagens da série 'Perspe' apresentam um 'sentido de mistério'.


Willet afirma que as paisagens que criou para a série de fotos existem 'em algum lugar na fronteira entre a ilusão e a realidade'.

Fonte: BBC Brasil 

viernes, 29 de junio de 2012

Extreme Photo II




Speed Climbing the Nose, El Capitan, Yosemite, California

Photograph by Paul Hara

"Wow, I'm surprisingly tired," thought rock climber Alex Honnold, 26, at this moment while speed climbing the Nose on El Capitan with Hans Florine, now 48, to set a new record on June 17, 2012. "This was actually the hardest move on the final bolt ladder, a really long pull over a slight bulge, and my one arm was kind of wilting," says the 2011 Adventurer of the Year, seen in the shade on this 90-degree day. Florine and Honnold set a new record of 2 hours, 23 minutes, and 46 seconds, shaving almost 13 minutes off the previous record set by Dean Potter and Sean Leary in November 2010. (Watch Honnold free solo in this video "Alone on the Wall.")
"Hans was an awesome climbing partner. We both climb in a similar style, so it was easy to work together," says Honnold, who had just completed a solo linkup on El Capitan, Mount Watkins, and Half Dome in less than 19 hours a week before starting on the Nose. "And to be fair, I learned most of what I know about speed climbing from his book on the subject." Florine has held the Nose speed-climbing record eight times over the past 22 years.
"Once we both made it to the top, we just sat and smiled for a while. No real celebration, but we felt some pretty deep contentment," notes Honnold, who is shifting his focus to bouldering. "Hans partied with his family the rest of the day—it was Father's Day afterall."
Getting the Shot
“It was very exciting to be hanging 3,000 feet in the air and hear the cheers of spectators in El Capitan meadow, as [Alex Honnold and Hans Florine] completed each milestone,” recalls photographer and climber Paul Hara.
Two weeks before the record-setting climb, Hara began setting up his shot, stowing camping gear and setting ropes to rappel the last pitch of the climb. The day before the attempt, he rappelled into place to ensure he had the right lenses for the job.
Originally, Hara planned to communicate with Jackie Florine, who was tracking the climbers’ progress, but the excitement of the moment broke communication. Luckily Hara was able to tune his radio to other spectators and track Alex’s ascent. “When we were told that Alex had cleared the Great Roof, I decided to rappel down, into position.”
“I could only start to see the climbers when they were about 200 feet from me. The crowd was cheering loudly, and I realized the old speed record was likely going to be broken,” says Hara. “When Alex saw me hanging near the top he said ‘good morning,’ in a casual, but breathless voice.”
Hara photographed with a Nikon D4 and 24-120mm, f/4 lens.

 

First Descent of Marble Fork Gorge, Sequoia National Park, California

Photograph by Jared Johnson

"The rivers of California's Sierra Nevada are to kayakers what the big walls of Yosemite are to climbers," says expedition kayaker Ben Stookesberry. "And Marble Fork Gorge was one of the great unfinished puzzles." Located on the Kaweah River in California's Sequoia National Park, the 2,000-foot-deep canyon's walls are sheer and often overhanging for a thousand feet—making an exit impossible.
To solve the puzzle, Stookesberry and kayaker Chris Korbulic enlisted big-wall climbers Forrest Noble and Jared Johnson. "The first portage into the gorge turned into a sketchy, 700-foot aided traverse and rappel that was definitely the most stressful part for me," says Stookesberry. "But with Forrest and JJ along, all the rope system changes, routes, and other techniques were super dialed and efficient. It was an amazing learning experience in that respect."
Once they had lowered their boats into the gorge, Korbulic agreed to paddle first. "We knew the first person to go would have no safety. Chris is one of the only kayakers in the world who could be in this spot," says Stookesberry. Here they are seen dropping through the Spout below Twizzler Falls and above Yule Creek Slide. "We both paid to play in Marble Gorge," says Stokesberry, who separated a rib on the last 90-foot drop. Korbulic broke his hand in the Twizzler.
"Chris and I have kayaked bigger drops, but never a sequence like this and never locked into a gorge," says Stookesberry. "This in concert with the most technical portage probably ever accomplished with a kayak put the Marble Fork at the top of my list as the hardest river I have ever run."
Getting the Shot
“I've never been part of such an epic undertaking to run a section of river. I'm not sure if there has been one,” recalls Jared Johnson, who took this photograph. The expert climber joined Stookesberry, Korbulic, and Eric Seymour to blend expedition kayaking and big-wall climbing as never before. “Forrest [Noble] and I were the climbing guys on the expedition," says Johnson. "When we both first saw where Ben wanted to enter the river with boats, we both told him he was nuts.”
After eight days of climbing in unusually cold weather, it was time to paddle. Johnson communicated with Stookesberry and Korbulic with radios until they entered the river and prepared to shoot.
“Chris went first on the long first slide we'd dubbed the Twizzler. At the end of the slide, Chris hit the wall on the left hard, flipped forward, upside down, and ran the last part of the slide upside down. It didn't look good,” says Johnson. Luckily, Johnson was able to tell Stookesberry how to maneuver past the trouble spot. “Ben was only two feet right of Chris's line, but just far enough to avoid the rock Chris had collided with.”
Johnson photographed with a Nikon D7000 and 70-200mm.

 

Solar Eclipse Skiing, Mount Shasta, California

Photograph by Patrick Orton

"All of a sudden it became eerily dim and quiet as we snapped this shot," recalls skier Lynsey Dyer of this moment on Mount Shasta during the recent solar eclipse. "We couldn't comprehend what was happening, but it felt profound and maybe even a bit scary." Skier Megan Kelly organized this once-in-a-lifetime trip with Dyer, Lizet Christiansen, Ashley Magnuson, and Sierra Quitiquit to summit and then shred down the mountain during the rare alignment in the cosmos.
Getting the Shot
Photographer Patrick Orton scouted the mountain for the perfect vantage point. “I spotted an ideal location halfway up Shasta that would show the skier in the foreground of the eclipse," says Orton. "We nearly sprinted up the mountain to get to our shoot location.”
The moon was covering 2/3rds of the sun when this photo was taken. “This photo was the first frame I snapped during the eclipse and Lynsey nailed it," says the Sandpoint, Idaho-based photographer. "It was lighting I had never seen before and we were all in awe of what was taking place in front of us.”
As the eclipse progressed, the skiers heard hoots and howls echo across the valleys of Shasta.
Orton photographed with a Canon 5D Mark II and 16-35mm 2.8L lens.

 

Climbing the Great Arch, Getu Valley, China

Photograph by Sam Bie, Petzel/Solent News/Rex USA

“Danny is an incredible climber—a machine!” says photographer Sam Bie of shooting climber Danny Andrada on Corazón de Ensueño, an eight-pitch route on Chuanshang Cave, also known as the Great Arch, in southwestern China’s Getu Valley. This may be the hardest continual, overhanging sport-climbing route in the world. The Great Arch is 164 feet high, 230 feet across, and 449 feet long.
After climbing for an hour, Bie was in position to capture the photo he planned for. “The perfect place for me to shoot was across from Danny’s route, aligned with the middle of the arch, about 525 feet above the ground,” he says.
Getting into position to shoot can take hours, and Bie often has long waits between photographing climbers. “I fell asleep twice in my harness!" he says. "Being rigged into ropes is my ‘office.’ I slept at work.” recalls Bie.
Bie photographed with a Nikon D300 and a Nikon AF DX Fisheye-Nikkor 10.5mm f/2.8G ED lens.

 

Kaak Surfing Nelscott Reef, Oregon

Photograph by Richard Hallman

"There is something about knowing a mistake can have pretty severe consequences that makes moments like these feel extra special," says champion extreme kayaker Tao Berman, who waited four years before all the pieces fell together to kayak surf this monster wave at Nelscott Reef, located about a half mile offshore in Oregon.
Berman took on big-wave surf kayaking to keep challenging himself after setting three world records and mastering freestyle kayaking. But the kayaking legend has hung up his competition paddle: "So far retirement has been great," he says. "I’ve been spending time with my nine-month-old daughter and doing lots of sports."
Getting the Shot
Nelscott Reef is one of the toughest breaks that photographer Richard Hallman has ever shot, he says. It has a rough entry point leading to 15- to 20-foot waves. “The only way out to greet this beast is through the most gnarly, freezing, shark-infested beach break,” he says.
Shooting from the channel between the north and south reef, Hallman was able to capture Berman kayaking the wave. “On one wave in particular, we watched for a breathless moment as Tao got caught inside a massive wave," Hallman says. The kayaker was torn from his boat, a rare occurrence for the pro. “One of the rescue teams came over and said Tao was asking for me," recalls Hallman, a former ER nurse and EMT who thought his skills might be needed to aid Berman. “When I got there, [Berman] just wanted me to document his bloody nose. He’s a tough customer.”
Hallman used a Canon 1D Mark IV with a 70-200mm lens and an Aquatec waterhouse.

 

Climbing Lost Arrow Spire Tip, Yosemite National Park, California

Photograph by Ben Horton

"Extreme environments are inspiring to me, so I felt right at home," says climber Brad Wilson, seen here at the top of the first pitch, about 2,500 feet above the valley floor, at a belay point on Lost Arrow Spire Tip near Upper Yosemite Falls. "The waterfall was generating a mellow roar, perfect to muffle the chaos of tourists and vehicles on the valley floor."
After hiking seven miles, Wilson and climbing partner Gil Weiss had rappelled to the notch between the valley rim and the Spire Tip to begin climbing. Although the route is only two pitches long, the spire's summit features one of the most spectacular views in Yosemite. "I'd always wanted to stand on that summit," recalls Wilson, who is currently roaming the Sierras in his vehicle with his climbing gear.
Getting the Shot
“Lost Arrow Spire is a super classic climb," says photographer Ben Horton, who shoots a variety of adventure subjects and received the first National Geographic Young Explorers Grant. "It offers an amazing view of nearly everything in Yosemite Valley."
“This was my first time at the spire, so I had no clue as to how I'd shoot it,” recalls Horton. The Los Angeles, California-based photographer ended up rappelling down over the valley rim's edge and hung nearly 3,000 feet in the air to shoot while Wilson and Weiss climbed. "The evening light hit the spire perfectly and lit it up while the valley below was covered in shadows.”
Horton photographed with a Canon 5D Mark II, 24-70mm L lens, and a BlackRapid camera strap.

 

Highlining in Koh Yao Noi, Phuket, Thailand

Photograph by Scott Rogers

"Should I grab the stalactite with my hands or turn around on my feet like a real pro?" recalls slackliner-photographer Jared Alden of this moment on an unusual stalactite highline on Koh Yao Noi island in Phuket, Thailand.
Lured by the country's unique limestone, ten slacklining friends spent a month in Thailand establishing new climbing routes and highlines—and partaking of the local culture's fresh, healthy food, world-renowned massages, and friendly scene. "We really got creative with our shenanigans on this trip," says Alden, who lives with his family in Pennsylvania. "We rigged slacklines at the beach, waterlines off piers and cliffs, high waterlines with tourists kayaking below, and even a highline between the masts of a pirate ship."
Getting the Shot
After driving through a jungle, wading through a cave system, and climbing the backside of the cave, two team members lowered themselves 120 feet to the base of this stalactite and secured the line about 300 feet above the water. “One of the main challenges for this line was finding an anchor point on the stalactite that was strong enough to hold the slackline … and also wouldn't drop off the end!” says photographer and slackliner Scott Rogers.
To capture the shot, Rogers hung from a rope adjacent to the highline and used his widest lens to frame both Alden and the cave formations. Rogers had to maneuver around eight other people hanging nearby to get the photo he wanted. But the climate and terrain may have held the biggest challenge. “Thailand was pretty rough on all our gear, from corroded biners to fogged image sensors, but we brought enough of everything to last through the trip,” he says.
Rogers photographed with a Nikon D80 and 16-85mm lens.

 

Climbing Era Bella in Margalef, Spain

Photograph by Keith Ladzinski

"While climbing a hard route, everything else fades away. I am only thinking about the movement in front of me, the next sequence, what I am holding on to, and my breath," says 19-year-old climbing phenom Sasha DiGiulian, seen on Era Bella, graded 5.14d, in the sport-climbing mecca of Margalef, Spain. "These isolated thoughts are part of the thrill of climbing—nothing else in the world matters in that moment."
On April 26, 2012, DiGiulian reached the top of Era Bella, considered the hardest route completed by a woman, after working on it for more than three days over two trips. The feat was another feather in the cap of a woman who, in the past year, became the first American woman to climb a 5.14d route (Red River Gorge's Pure Imagination), won the overall gold at the climbing world championships, and captured her third consecutive national sport-climbing title.
"I wanted to climb Era Bella because it is a challenging, beautiful route," she says. "Even when my hands were bleeding and hurt from the rock's pockets cutting my skin, I kept going because I knew the experience of doing the route was worth more than a few bloody fingers."
Getting the Shot
Having previously photographed the Era Bella climbing route in Margalef, photographer Keith Ladzinski was prepared to capture DiGiulian on the difficult route. Ladzinski worked around a film crew to get his shot.
“The route itself was so athletically engaging that the expressions and body positions of Sasha were exciting to shoot,” he recalls. “Knowing you could be shooting a historic moment is always a great feeling.”
He adds: “I do my best to keep the frame sharp and precisely composed while paying strict attention for notable moments. The whole time I'm thinking ‘This could be it!’ "
Ladzinski used a Nikon D3 camera and Nikon 24mm f/1.4 lens.

 

Mountain Biking Mary's Loop Trail, Fruita, Colorado

Photograph by Anne Keller

"This is so incredibly beautiful—I am so lucky to be here," thought mountain biker Candace Shadley (right), seen here with fellow rider Julie Gamache on Mary's Loop, which begins as double-track and then turns to single-track here as it contours the Colorado River. The pair stood at this point to take in the sunset and wait for just the right light. When the moment came, the duo sprang into action.
"Mary's Loop is a fantastic place for riding, full of rocky trails, beautiful views, and great weather," says Shadley, who founded the Trek Dirt Series, a 12-year-old instructional biking program that offers 18 camps annually, mostly for women, throughout the American West. "It's a bit hot in the summer, but that just means you ride early or late."
Getting the Shot
“The last half mile of the trail is where things get interesting,” says photographer Anne Keller of Mary’s Loop trail. Keller originally planned to shoot at Horsethief Bench Trail, but the cloudy sky and impending storm forced her to adapt and rally the riders to race the storm and bike to Mary’s Loop.
“That shoot ended up presenting one of the most unique lighting situations that I've seen out here,” recalls Keller. “The light broke through with a band of pink for several minutes and the looming storm cast the landscape with a strange blue tone.”
To capture the unusual lighting, Keller closed down her aperture and shot toward the west, exposing for the striking, saturated sky. “The combination of light, clouds, and lightning all felt electric at that moment; I didn't want to leave,” says Keller.
Keller shot with a Nikon D3 camera and Nikon 16-35mm f/2.8 lens at f/22, 1/15th of a second.

 

Backcountry Skiing in Neff's Canyon, Wasatch Mountains, Utah

Photograph by Mike Schirf

"I go into auto mode once I'm in the air," says freeskier Tyler Peterson, seen here in a 360 true tail, a trick that involves grabbing the skis' tails while making a full revolution in the air. "All the thinking and visualization happens before I ride off the jump."
Peterson and photographer Mike Schirf hiked for three hours and 3,500 vertical feet to take this shot in Neff's Canyon in the Wasatch Mountains backcountry. The pair strategically built a jump with a view of Salt Lake City, which has 11 ski resorts and ample backcountry offerings within an hour of the airport. "By this point it was about 6:30 p.m., and it was very difficult to see my landing," says the Salt Lake City-based ski halfpipe competitor. "But I had already hit the jump several times while the sunlight was fading away, so I knew how long I needed to be in the air to land smoothly."
Getting the Shot
Photographer Schirf worked carefully to find the right exposure to capture Salt Lake City's bright lights and Peterson mid-trick at dusk. When the dramatic sunset they had hoped for did not appear, Schirf used gels to add another element to the scene. "Gels are a great way to add a new element to a photo," says Schirf, who doesn’t typically work with gels. "It definitely has to be the right situation, but I think when used well, they can make a photo.”
Schirf photographed this shot with a Canon EOS 5D Mark II and a Canon EF 24-70mm f/2.8L USM lens.


 

Kayaking Toketee Falls, Oregon

Photograph by Charlie Munsey

"At this moment I was about to toss my paddle and tuck up for landing," says kayaker Fred Norquist. "Coming over the lip was an incredible view!"
To get to Toketee Falls, which drop more than 65 feet into the North Umpqua River, this group of five kayakers had to do rope-assisted climbing down into the gorge—which included lowering their boats as well. "Once you are in the gorge you are pretty committed to running the falls," says the Bellingham, Washington-based paddler. "There is a 20-foot-tall waterfall shortly above this last drop. We ran the 20-footer, then ran the final drop."
Only six people have run this waterfall. Kayaker Chris Korbulic claimed the first decent in 2011. On this spring day in April 2012, all five paddlers—including Norquist, Evan Garcia, Kyle Hull, Erik Johnson, and Sam Friehofer—had successful runs. "None of us got injured and everyone had great lines on the waterfall," recalls Norquist, who contributes to Bomb Flow Magazine. "It was a picture perfect day."
Getting the Shot
An Oregon native, photographer Charlie Munsey shot Toketee Falls 15 years earlier and had hoped to return to photograph a kayaker descending the impressive falls. “The main challenge of capturing this moment was the combination of getting the right water level and a group of kayakers that could mentally and physically pull it off,” says Munsey. The remote Toketee Falls are Class V rapids.
To capture the kayakers and create horizontal framing, Munsey scaled a steep cliff and set up 30 feet above the water. Kayakers at the top of the falls shouted to Munsey as Norquist approached the falls' crest, and Munsey steadied himself to shoot. “I have to admit, the moment was so powerful that I was shaking a little bit,” he says.
Munsey took this shot with a Nikon D700 camera body and a Nikkor 70-200mm, f/2.8 lens.


 

Climbing Portal Peak, Banff National Park, Canada

Photograph by Paul Zizka

"The rock was loose and crumbly—it was a precarious perch that both scared and intrigued me equally," recalls local climber Rossel Sabourin, seen here scaling the "Flower Pot," a rock tower on Portal Peak in Banff National Park, Canada. Sabourin and his girlfriend had admired the rock feature every morning from Num-Ti-Jah Lodge on the shores of Bow Lake, where they are the innkeepers. On this day, a group of friends decided to explore the peak in perfect, sunny conditions. "From the top of the pot, the panoramic view was incredible: the turquoise waters of Bow Lake, the iconic red roof of our lodge, and the Wapta Icefield spilling into the lake."
Getting the Shot
“The Wapta Icefield is notorious for its whiteouts and powerful storms, even in the summer,” says photographer Paul Zizka. “Portal Peak itself is very seldom visited, partly because of the poor quality of its rock,” he says. “It’s not a particularly technical peak, but does require a significant amount of elevation gain. It is fairly dangerous down-climbing, including glacier travel, as well as dealing with some of the worst rock, in an already shaky mountain range."
“I definitely wanted to stop by this feature on the way to the summit, but didn’t expect anyone would venture onto the tower itself. When Rossel did just that, the photo opp became obvious,” Zizka says. “I was limited in terms of angles to shoot. The Flower Pot is flanked by precipitous drops on most sides."
To capture this image, Zizka used a Canon 5D camera body and Canon 17-40mm lens at f/4.0.

jueves, 28 de junio de 2012

Photography trip to Dartmoor National Park & Golitha Falls Nature Reserve



As a little tune-up for my imminent trip to Norway I recently took the opportunity to spend a couple of days in some of the most scenic parts of the south-west UK to get my head into landscape photography mode. First stop, Dartmoor National Park in Devon.



April can be a very changeable weather month across England and especially up on the moors. I arrived in glorious spring sunshine, but  just a week before over on Exmoor my friends Ruben Vicente and João Almeida had encountered snow!

I was lucky to be able to capture some wide images of Haytor Rocks and the surrounding moorland with perfect skies and clouds. Definitely a day for the polariser! A few miles on at Dartmeet the main east and west tributaries of the River Dart combine (hence the name) at a popular spot for vistors to the region (below).



Moving on from Dartmoor I next travelled down to Liskeard just across the county boundary into Cornwall. This was to be my base for a day at Golitha Falls National Nature Reserve.

My plan for Golitha Falls was simple; get my 10-stop B&W neutral density filter out and have some fun capturing long exposures of the rushing water.
After the blue skies of the day before I was praying for overcast conditions which are ideal for this kind of photography. Bright sun-lit areas of the frame are not what you need to pull these kind of shots off successfully. As you can see from this shot the river valley is densely wooded and early spring is one of the best times to visit before the trees have full foliage. It’s very difficult to visually describe the valley during the summer months as there always something in the way of any wide shot.
Incidentally if you are looking for a guide to improve at this type of photography check out Justin Reznick’s “The Advanced Guide to Photographing Waterfalls and Streams” ebook it’s full of essential info that will help you master the whole process of planning, shooting and processing these kind of shots.
Anyway back to Golitha!



Here’s the photo I had in my mind’s eye before I even left home. I’m calling it “Golitha Flow”. To have got in the bag and executed it pretty well made me very happy! A 10 second exposure has reduced the rushing white water around the rocks to sinuous curved lines. The age of the rocks is enhanced and for me it really captures the effects the last 10,000 years have wrought on this landscape.



I spent the next few hours exploring different compositions while trying not to send either myself or my camera and tripod headlong into the river (slippery rocks are always challenging).
All too soon it was time to pack up and make my way back up out of the valley and start the long drive back along the south coast to my home in Hampshire.


It was worth it for a great weekend. Now bring on the fjords!!

Credits: Tom Hadley 






Randy Jay Braun Gallery


Randy JayBraun is a self-employed professional photographer. My gallery on Maui is the oldest fine-art photography gallery in the state of Hawaii.

My passion is photography and digital imaging. If there is free time, I disappear into the wilderness with my backpack, or hop into my kayak and visit my humpback friends in the deep blue Pacific.

My breifcase is an old Priority Mail box, and I haven't worn a watch for a decade. I threw my appointment book out 3 years ago. To see what time or month it is, I glance at the sun. Of course while I love my sense of freedom, there are the events that require a lot of planning. I teach creative photography workshops in Italy and on Maui. If you desire to join one of my photo adventures, just contact me at randyjaybraun@gmail.com

Life is Maika'i.













miércoles, 27 de junio de 2012

Oregon Fine Art Photographer - Gary Randall


Living in the shadow of Mount Hood and near the Columbia River Gorge in Northern Oregon, Gary is immersed in the scenic beauty of the Pacific Northwest of the United States. He has been a photographer off and on since 1976 when he bought his first Yashica and learned to shoot and develop Tri-X. 

Today Gary is a working photographer with a passion for landscape photography, but brings an artistic eye to everything he photographs. 

Please visit his web site at www.gary-randall.com



Guardian Saint


The Marquam Bridge


Gasoline Glow



Passing Light



Blue City

Fool For The City


Temple in Monochrome

 

The Temple of The Guardian of The Golden Plates


The Emerald City


St Johns Bridge


Seattle Washington


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